china jade cucumber plant China Jade Burpless Cucumber Seeds - For 2026 Planting Delicious Long
SKU: 79521268285
china jade cucumber plant

china jade cucumber plant China Jade Burpless Cucumber Seeds - For 2026 Planting Delicious Long

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Description

china jade cucumber plant China Jade Burpless Cucumber Seeds - For 2026 Planting Delicious LongChina Jade Cucumber is a sleek, dark green "jade" colored Asian cucumber known for its crisp texture and mild, refreshing flavor. This popular Chinese variety boasts highly productive, disease tolerant plants that produce high quality, bitter free cucumbers that reach 10 12 inches in length, but can grow as long as 18 inches long! Perfect for fresh salads or pickling and plenty to share with friends and family, China Jade's easy to grow nature makes

China Jade Cucumber is a sleek, dark-green "jade"-colored Asian cucumber known for its crisp texture and mild, refreshing flavor. This popular Chinese variety boasts highly productive, disease-tolerant plants that produce high quality, bitter-free cucumbers that reach 10-12 inches in length, but can grow as long as 18 inches long! Perfect for fresh salads or pickling and plenty to share with friends and family, China Jade's easy-to-grow nature makes it ideal for gardeners of all skill levels. Grow your own China Jade Cucumber to experience the excitement of harvesting your own fresh, premium cucumber right from your backyard, ensuring the freshest and most flavorful cucumbers for your salads, pickles, and more.

Also Known As: China Jade Heirloom Cucumber, Jade Asian Cucumber, Chinese Burpless Cucumber, Japanese Burpless Cucumber, Chinese Jade Cucumber, Long Green Cucumber, China Green Cucumber, Oriental Cucumber, Heirloom Jade Cucumber

Plant Name: Cucumber, China Jade
Latin Name: Cucumis sativus
Days to Germinate: 3-10
Days to Harvest: 60
Plant Height: 6 - 8 Feet
Spread: 3 - 4 Feet
Growth Habit: Vining
USDA Zones: 3-11
Lifespan: Annual
Brand: TomorrowSeeds
Sunlight: Full Sun, Partial Shade
Pollination: Heirloom, Open-Pollinated
GMO: No
Fungicide-Treated Seeds*: No
Seeds Packed For**: 2026
*Fungicide-treated seeds protect the seedlings from diseases until they are up and growing. Do not eat treated seeds.
**Seeds are freshly packed for the growing season of the year listed. Seeds are still viable beyond pack date. Store in a cool and dry location such as the refrigerator or basement to best preserve germination rates.


Planting Instructions:

Soil Preparation:

Choose an area with heavy, well-draining soil that receives at least 6 hours of sunlight each day. Remove weeds, large rocks, and litter from the planting area. Leave small weeds and dead grass, they will enrich the soil when turned under. Spade or till the soil 8-12 inches deep. Loosening the soil will help the plant establish strong roots.

Plants grow best in soil with lots of organic matter. You may optionally add fertilizer or organic material such as compost, leaves, or rotted hay to mix into the soil at this point. For small gardens, scatter 2-3 tablespoons of fertilizer evenly and work into the top 2-3 inches of soil for each hill or 2 foot by 2 foot planting area. For larger gardens, scatter 2-3 pounds of a complete fertilizer for each 100 square feet of planting area. Work fertilizer or organic material into the soil and leave the surface smooth.

Form rows of soil beds 4-6 inches high and at least 4 feet apart. This formation of ridges will help with drainage.

Planting:

Cucumber grow best in warm weather (75F-85F).

Starting Indoors: For an earlier harvest, you may optionally start planting indoors in containers 2-3 weeks before the last expected frost date in Spring, keeping seedlings at least 70F. Harden off then transplant seedlings outdoors in a sunny location when the soil temperature is above 65F. To transplant seedlings, prepare a transplant hole outdoors in a sunny location. Remove the plants carefully from the pots or flats and set them in the holes, burying some of the stem in the ground. Pack the soil loosely around the plant and leave a slightly sunken area around each plant to hold water. Water the plants after transplanting. Optionally, Train plants to climb a 6-8 foot trellis or fence as they establish.

Directly Sowing: If directly sowing cucumbers outdoors, plant in mid-late spring when the soil warms to at least 70F. If Fall planting, sow in early summer, at least 12-14 weeks before the first expected frost date - or if growing indoors, keep at >70F using supplemental grow lights.

To plant, make holes 1 inch deep and spaced 2 feet apart down the rows of raised beds. Plant 2-3 seeds per hole. If choosing to thin to the strongest plant, determine the strongest and healthiest plant, then remove all other plants, narrowing to a single plant per hole. Cover seeds thinly with soil and water after planting. Optionally, train plants to climb a 6-8 foot trellis or fence as they establish, spacing plants 10 inches apart at the base of the trellis.

*Tip: You can plant fast maturing crops such as lettuce and radishes between cucumber hills to save space. These will be harvested before the cucumber vines get too large.



Planting Depth: 1 inch
Within-Row Spacing: 2 feet (sprawl) or 10 inches (trellis)
Between-Row Spacing: 4 feet


Care During the Season:

Watering: Water the plants deeply, soaking the soil to a depth of 6-8 inches, once a week. If there is no rainfall, water 2-3 times a week. Sandy soils may need to be watered more often than heavy clay soils. Mulching around plants can help retain moisture.

Weeding: Keeping plants weed-free improves production. If plowing or hoeing, do not dig deeper than 1 inch to prevent from cutting the feeder roots.

Fertilizing: Once plants start to bloom and set fruit, you may optionally apply a fertilizer that is higher in potassium and phosphorus and lower in nitrogen. Read and follow fertilizer instructions for best application. Water plants after fertilizing.

Insecticides: Insecticides may be used to protect plants. Bt-based insecticides and sulfur are organic options that can be used for prevention. Sulfur also has fungicidal properties and helps in controlling many diseases. Before using a pesticide, read the label and follow cautions, warnings and directions.

Diseases: If spots or mold appear, treat plants with an approved fungicide. Neem oil, sulfur, and other fungicides may be used. When using fungicides always follow label directions.

Harvesting:

Harvest cucumbers when reach the desired size and are green in color. Harvest Japanese Long cucumbers when reach the desired size and are deep green in color. These cucumbers are best picked when they are 12 inches long and mature. Cucumbers grown for pickling are best 3-4 inches long and up to 1 inch in diameter at maturity. Either type can be used for pickling if picked when small. It is best not to wait until cucumbers start yellowing because they will be over-mature and have a strong flavor. To harvest, use a pair of clean scissors or a knife to cut the cucumber from the vine, leaving about an inch of stem attached to avoid damaging the plant.

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momsreadtoo
Belleville, US
★★★★★ 5
Loved the Tension in the Book
Format: Kindle
I actually read this book awhile ago but now just getting to review it. I absolutely loved this book. The cover attracted my attention just because it's all in one cover and it's not something that I normally see. I loved the tension between Rosie and Ford. They fought so much that you knew once they both gave in to their temptation that it was going to be explosive. Also I fell in love with Ford's twelve year old daughter with her snarky and sass behavior. Though, you will see where she gets it from as you read the book. The plot is great, a little slow in some parts but it is easy to get past it. If you want to build up with some humor this is the book for you. The smut in this book is mild but it is what is expected since it's not a dark romance. I highly recommend checking out this book.
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Wild Love deserves all the hype it’s gotten. For my first Elsie Silver book, this one was a 4.5⭐️ A sweet, simple small town romance that will keep you on your toes. Rosie was a pretty relatable character if you’ve grown up in a small town. That feeling of wanting to get out, and wanting something more is something most probably feel. But it turned out that wasn’t what she actually wanted, and moving back to Rose Hill ended up being the peace she really needed. While we all love a good enemies to lovers trope, Ford discovering he had a daughter was a nice touch and kept the story much more interesting. Wild love didn’t just tell of two friends falling for each other, but also Ford navigating his newfound fatherhood and Rosie stepping in to help not only him but his daughter.
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Laney
West Palm Beach, US
★★★★★ 5
I’m absolutely OBSESSED!!!!!!
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My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters. Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear. Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create. Favorite Parts ★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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ghostrider369
Natrona Heights, US
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If you want to write that best seller correctly, this is the book for you!
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Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand. Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish. Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more. Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth. Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable. This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner. Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice. His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those. Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures. The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures. By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it. This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art. He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten. Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel. This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work. It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story. Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses. While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting. Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling. Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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One of the best books about writing!
Format: Paperback
Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now! Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end. Great work! OVERVIEW The author talks about the LOCK system for your novel. L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change. O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc. C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story. K--Knockout--final fight against opposition You need three ACT structure: Beginning (Act 1) , Middle(Act 2), Ending (Act 3) Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return. Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return. Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle Add a twist if possible. If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character. I like to create also two charts. One is for the Lead showing how the character is changing internally. Another one, characters who play the parts in your novel divided into following categories: Character, Description, Objective, Role, Secret, and Emotion Evoked. You can add as much as you want in your never ending list. Scenes- HIP- Hook, Keep it Intense, Prompt to another scene Stretch tension! You need show instead of tell. ARM- Action, Reaction, and More Action Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment. Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels. Or divide into sections; each section to contain the LOCK system and three act structure. Some other things that I found valuable: Flashbacks -- keep them short; create scenes out of them; use one HAD. If your middle doesn't play well, do something unexpected like throwing a guy with a gun. Unanticipate-- avoid cliches, create unpredictiable scenes, endings If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense. The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
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Reviewed in the United States on November 1, 2011

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